In Filmmaker magazine, for my Speculations column that appears in the print quarterly, I started the year with an essay on the use of firearms in American zombie films (and the notable absence in zombie films set and filmed elsewhere.) In the spring issue, I wrote about Amazon’s creepy YouTube recruitment videos and how the gig economy is depicted in films like Sorry We Missed You and Sorry to Bother You. Then I had a column on the twentieth anniversary of All About Lily Chou-Chou. In the latest issue, I have an essay on how the role of the android in cinema and storytelling is changing as the shortcomings of artificial intelligence are all around us.

The paperback edition of Lurking was published in February. That month, I wrote a profile of Patricia Lockwood for New York magazine on the occasion of her extraordinary novel, No One Is Talking About This.

In Technology Review, I wrote about science fiction novels set in real places and how it requires a special kind of world-building skill to develop a city when its origins are already known. Some of the books discussed in the essay include Chi Ta-wei’s The Membranes, N. K. Jemisin’s The City We Became, and The Sunken Land Begins to Rise Again by M. John Harrison.

For Dirty Furniture—a terrific design magazine based in London—I wrote about prank calls and telephone scams for the “Phone” issue. And I’ve got an essay on the “used future” in 70s science fiction for the design magazine U-Joints that I wrote about the same time but that piece is still forthcoming. (The working title is “Jalopy Spaceships and Malfunctioning Androids: The ‘Used Future’ in Film.” Basically everything I’m obsessed with in one short piece.)

In the fall of 2019, I had a confusing exchange with an editor over my contribution to an art magazine’s end of decade issue. My piece was killed and I wasn’t quite sure why. At the time, I was swamped with my day job, prepping for the book release, and a few other freelance assignments. I figured it just wasn’t my best work and stuffed the text in my folder of other * not my best works * which includes killed pieces, half-finished things, sentence or two written things, and so forth.

But I just happened to glance at it again, and wait—hold on—it’s…not bad?

There’s not a lot of tech criticism in general in proportion to the size of this beast (.) This has led to problems like chronology of events and controversy being misrepresented by the tech industry (which I point out in this piece). Anyway, this is a super deep cut and really (what “2010s in…” summary could be?) but I do think it’s important to keep these observations public-facing rather than buried (as many other pieces in that folder of mine deserve to remain). — Joanne

One of the strangest things about the timing of my book release is, I was among the last authors with an in-person event to appear on Book TV. The episode was only meant to play about once or twice, but given the quarantine situation, within a week, the show would have no new episodes. I set up an alert to find out when it would air, and ended up receiving bunches and bunches of messages, “Dear Joanne mcneil, [Lurking] is scheduled to air in 4 minutes on C-SPAN 2.” The alerts usually were at three in the morning, which made it all the more strange. If I stayed up particularly late, I would see these automated emails informing me that my face was on television.

Here’s the episode, by the way. I thought it went pretty well.

Book TV is now airing virtual book events so I no longer get these alerts. Although, it is possible will be recorded so I will get new alerts and possibly see my face on TV at 3am once again.

I was asked to contribute to New York magazine’s Future issue in November of last year. My piece was cut for space and I keep meaning to post the full text somewhere. This newsletter seems about as good a place as any. Here is it:

Last spring, Jeff Bezos delivered a public presentation about his plans for Blue Origin, the aerospace company he owns and funds with liquidated Amazon stock. Standing in what looked like a black box theater and pacing with the easy confidence and careful steps of a monologist; this modest staging only enhanced the wild ideas and trippy illustrations he had to share. A “trillion humans” could live in space, he said, some in artificial gravity where human flight won’t be out of the question. There, the architecture will be fanciful and unexpected, because shelter from harsh climate won’t be a necessary component to design—these spaces will be perpetual “shirt-sleeve environments” that feel like Maui “on its best day.” When he finally unveiled a prototype for a lunar lander called Blue Moon, the space cargo carrier seemed local, almost provincial, in contrast with the faux-Hawaii-in-the-stars “our grandchildren’s grandchildren” are set to inherit. Whatever comes out of that mockup, this presentation signaled that Bezos is laser-focused on development in final frontier. He’s a NASA of his own and one unaccountable to constituents.

I’ve been a little wary of virtual events for a number of reasons, but it is better than nothing and sometimes it really works. The event I have scheduled this week, I think will be one of those occasions—and I’m pretty excited about it!

I’ll be speaking with Sarah Jaffe on Wednesday, April 29th, at 7pm EST on the Bold Type Books Crowdcast site.

Sarah Jaffe has hosted a podcast called for years now and her new series of virtual events feels like a natural extension of it.

All of the upcoming events in the previous email are canceled now. So it goes! But if you happen to be at home (more than likely) and online (probably) on Wednesday, March 18th, please consider browsing over to The Drax Files Radio Hour. I will be in virtual conversation with Drax, the host of this metaverse-based video broadcast, beginning at 2pm Eastern/11am Pacific.

And after that… well, let’s wait and see.

One of the nice things about publishing a book is the chance to schedule events at some of my favorite bookstores and speak with writers I admire. Here’s the list of events I have coming up. Hope you can make it out!

The book launch is in Brooklyn on Thursday, February 27th. I’ll be in conversation with Sonia Saraiya, one of my favorite critics, at Books are Magic.

And a few other stops in March and April:

My book, which comes out on February 25, is somehow already on sale; as in, it can be purchased now and in your hands by the end of the week. A few websites have it as a buy it now option. They have listed the galley/ARC for sale (a far from complete version of the text that only looks like the finished copy after squinting a little.) And, of course, the ARC for Lurking, like pretty much every ARC, says “NOT FOR SALE” right on the cover.

Puzzled by this, I came across a story on WBUR written by the author Nichole Bernier, who discovered the ARC for her book beside hardback and paperback copies of her novel at a used bookstore. She discusses all the complications related to the resale of galleys; including the counterpoint that some people do collect galleys, especially for their favorite authors. (BTW: look at that “This article is more than 6 years old” tag at the top. I wish more publications did that.)

My book, Lurking, comes out this February and I hope you will check it out. If you enjoy All My Stars you will like this book. (The book is a lot better than my newsletter.) It is a look at the last thirty years of online communities and online identities; what went wrong and what might still turn around or finally go right.

If you’d like to preorder the book—first, that’s very kind of you—it’s a preorder pick at The Writer’s Block bookstore in Las Vegas, which offers a 15% off discount. You can also preorder from any independent bookstore or request a copy for your library. You’ll get the book and you’ll get to look at the loud, lovable, kooky cover up close.