29-30 Sep. 2022, Kristiansand, Norway
For many people in the 20th century, going to the movies was not just a leisure activity, but a necessity. As embodiment of democratic mass culture, movie theatres offered information and entertainment to everybody, regardless of age, gender, class, ethnic or religious background, even though the cinema-going practices were socially distinct and fragmented. People went to the movies for multiple reasons: to be entertained, to learn what was going on in the world and in the community, to find consolation, reassurance, or encouragement, to connect socially or find privacy in the dark, to be noticed or to disappear in the crowd.
The workshop “Cinema as space of encounters before, during and after WWII” is the first in the workshop series “Cinema, War and Citizenship at the Northern Periphery: Cinemas and their audiences in the Nordic countries, 1935-1950”. It asks how the Second World War altered the cinema-going experiences and the social functions of the movie theatre. The Nordic countries were affected very differently by the war. While Denmark and Norway were occupied by Nazi Germany, Iceland was first occupied by British and then by US forces. Finland fought alongside Nazi Germany and then against it, while Sweden remainedofficially neutral, but experienced a large influx of refugees from neighbouring countries. The movie theatre became a battleground between different factions of society. At the same time, the movie theatres became a space of cultural encounters with the enemy or the ally, both on screen and in the auditorium.
How did the war and occupation alter the cinema-going experiences and habits? How did it change the cinema landscape and social functions of cinema? Did the audience practices and cinemas revert to prewar conditions, or did the end of the war mark a rupture with the past and a transition to something new? What role did cinema play in the construction of the Nordic post-war societies which had experienced thewar very differently? These are some of the questions we seek to address in the first workshop.
In the workshop we want to discuss how different social groups and individuals experienced and used the cinema especially in the Nordic countries (Denmark, Finland, Iceland, Norway, and Sweden) before, during and after WWII (1935-50). The focus is on the audiences and the cinema as space. Neglected aspects, such as rural cinema audiences, or the operation of mobile cinemas, are of particular interest.
Potential topics for presentations (but not limited to):
The workshop is funded by the Nordic Research Councils in the Humanities and Social Sciences (NOS-HS) exploratory workshop grant. Its goal is to establish a transdisciplinary network of scholars and non-academicexperts (e.g., archivists, librarians, museum educators, etc.) to foster and strengthen research on cinema history in the North. We encourage specifically early-career scholars and postgraduate students to apply. Our aim is to publish a selection of papers in a themed issue of Journal of Scandinavian Cinema, Historical Journal of Radio, Film and Television or Kosmorama.
Prof. Daniela Treveri Gennari (Oxford Brookes University)
Dr. Mona Pedersen (Anno Museum Kongsvinger, Norway)
Dr. Jessica Whitehead (University of Toronto)
Please submit an abstract of up to 300 words, a short CV and list of publications to email@example.com by 22 May 2022.
The number of participants will be limited to approx. 20 persons to allow for fruitful discussion and exchange. Accommodation in Kristians and and meals will be provided, travel costs (economy flights and/or public transport) will be reimbursed.
For any queries regarding a potential topic or the workshop, please contact Prof. Maria Fritsche (firstname.lastname@example.org).
Deadline for abstract: 22 May 2022.
Letters of acceptance: 17 June 2022
Workshop date: 29-30 September 2022
Venue: ARKIVET Peace and Human Rights Center, Vesterveien 4, 4616 Kristiansand, Norway