16, 17, 18 June 2022
### University of Southampton
An international conference hosted in person and online by the Department of Film Studies’ ‘Centre For International Film Research’ at the University of Southampton.
December 1922 will mark the centenary of the introduction of 9.5mm film to the French cinematographic market. Pathé Freres first launched their ‘Pathé Baby’ home cinema system on domestic territory in time for the Christmas season, with the promise of a soon to follow lightweight and modestly priced cine-camera using the same narrow gauge, that could fit in a vest pocket (1923, pp. 48–50). In time, the new gauge became available elsewhere -arriving just ahead of Kodak’s 16mm film/cinema system and together signalling the first major boom in amateur filmmaking.
This event aims to reflect on the diverse use of 9.5mm film throughout its 100 year history and create space for scholars, archivists and curators to explore and share new research in the field while opening up new avenues for inquiry.
Hosted by the University of Southampton this international conference will accommodate a dual approach - in-person and online for contributions exploring/considering the global reach of 9.5mm film culture. International speakers are encouraged and our proposed format will allow for virtual attendance via live streamed sessions or recorded content.
The conference organisers are delighted to confirm keynote addresses by Dr Ryan Shand (Ravensbourne University London) and Dr Annamaria Motrescu-Mayes (University of Cambridge).
We welcome proposals for 20-minute papers and for 1hr 30min conference panels, from scholars, archivists, and curators around the world at any stage in their academic careers. We are especially interested in interdisciplinary submissions and encourage papers and contributions across the wide use and application of 9.5mm film in the last 100 years.
We would also like to invite regional, national and international archives to present curated packages of film as well as presentations on 9.5mm collections and filmmakers within their holdings. The organisers welcome papers on topics including, but not limited to:
Abstracts of maximum 250 words and bios of maximum 75 words should be submitted via the Google Form on the conference website (by 17:00 (GMT) on 17 October 2021, with decisions expected in early December 2021. Submissions must include the presenters’ full name, institutional affiliations and the preferred method of attendance (in person or online).
Conference date: 16, 17, 18 June 2022
Deadline for proposals: 17 October 2021
Please submit proposals via the Google Form on the conference website
If you have any questions please do get in touch by email.
Zoë Viney Burgess She/her
Postgraduate Researcher in Film
University of Southampton